ORIGINAL DVD AUDIO COMMENTARY
MOVIE SHOWCASE (15분 37초)
ORIGINAL DVD FEATURES
- DELETED SCENE "CLASS" WITH OPTIONAL COMMENTARY (4분 09초)
- BEHIND-TOH-SCENES SPECIAL (28분 30초)
- FROM STAGE TO SCREEN: THE HISTORY OF CHICAGO (27분 28초)
- MUSICAL PERFORMANCES
"AND ALL THAT JAZZ" (6분 7초)
"WHEN YOU'RE GOOD TO MAMA" (3분 34초)
"CELL BLOCK TANGO" (8분 4초)
"WE BOTH REACHED FOR THE GUN" (6분 37초)
"MISTER CELLOPHANE" (4분 00초)
"ALL I CARE ABOUT" (4분 44초)
RICHARD GERE & "ALL I CARE ABOUT" (3분 31초)
RENEE ZELLWEGER & "NOWADAYS" (2분 8초)
CATHERING ZETA-JONES & "AND ALL THAT JAZZ" (3분 5초)
"I CAN'T DO IT ALONE" (3분 47초)
"HOT HONEY RAG" (3분 33초)
"WE BOTH REACHED FOR THE GUN" (3분 58초)
"CELL BLOCK TANGO" (3분 10초)
- AN INTIMATE LOOK AT DIRECTOR ROB MARSHALL (19분 43초)
- WHEN LIZA MINNELLI BECAME ROXIE HART (13분 17초)
- ACADEMY AWARD-WINNING PRODUCTION DESIGNER JOHN MYHRE (6분 10초)
- ACADEMY AWARD-WINNING COSTUME DISIGNER COLLEN ATWOOD (5분 33초)

Fame hungry Roxie Hart dreams of a life on the Vaudville stage, and spends
her nights jazzing it up in the bright lights of Chicago, continually hoping that
she'll find her lucky break, and be shot into 1920's stardom, so able to flee
her boring husband Amos. In awe of seductive club singer Velma Kelly (who
is subsequantly arrested for the murder of her husband and sister - after
discovering their affair), Roxie meets Fred Cassely a man who convinces
her
he can 'make her showbiz career take off'. However after Roxie has
undergone the 'casting couch' treatment, and Fred has had his wicked way
with her, he reveals that he has no more connections in showbusiness than
she does. This is the final straw for Roxie, and her constant anger at
rejection explodes. She shoots Fred Cassely and kills him. Upon discovering
her infidelity, Roxie's husband Amos refuses to take the blame for the
murder
and Roxie is sent to jail, pending hanging. In jail she finally meets tabloid
darling Velma Kelly, currently receiving huge media attention for the double
murder she committed earlier in the tale. Sharing the clink with Velma, are a
collection of other sly females, all awaiting trial for the murders of their own
partners. Velma is aloof to Roxie, however the prison Warden Mrs Morton
offers Roxie the opportunity of representation by slick Chicago lawyer Billy
Flynn. Billy is more a showbiz P. R agent than a legal lawyer and
minipulates the tabloids into thinking Roxie is no more than an
innocent 'good
time girl' who took the wrong path, than a scheming murderess. The tabloids
go crazy for the new girl on the cell block, and Roxie finally becomes a star.
However due to Roxie's new found fame, Velma is forgotten about. She is
forced to approach Roxie with an offer of a part in her Vaudville act (filling the
gap left by her murdered sister), but Roxie turns down her offer flat, thinking
she needs no support in topping the bill. However, just as Velma's star fell,
so does Roxie's, when Go-to-hell Kitty arrives at the jail on a multiple
murder
charge, the press forget Roxie and now she and Velma are in the same
boat.
With one more trick up her sleave Roxie manages to bring the media
attention
back onto her, and her day in court arrives. Billy is now ready to play the
ultimate showman!